2017, XL Gallery, Moscow, Russia.

The Reef installation imitates the space/experience in which waves of intelligent matter, twisting in turbulence, ignite the fires of consciousnesses. Consciousnesses live as long as they peek into each other, imitate each other, partake in each other in weaknesses.

A dead seal imitates a stone, an empty shell protects a hand imitating a root. The human eye became the organ of touch sensitivity and thus was able to meet the gaze of the wasp.

An exhibition doesn't want to be an exhibition; things don't want to be art. This is an attempt by an amateur with their soul and body to apprehend and retell nature. The muscles and bones of the artist were imprinted in the aluminum bars; the transparent, brittle images of the reef froze in the sails.

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